Hailing from the land of endless winter, Twin Cities based Collapsing Stars have been quietly making a name for themselves throughout the American west. Blending traditional blues, roots, folk, and Americana sounds with a hint of modernity, comparisons range from Iron & Wine and the Lumineers, to the Black Keys and Ben Harper. In the last few years they've earned producer credits on a record for Rhymesayers Entertainment (Atmosphere, Brother Ali, deM atlaS), played a showcase at the renowned Hotel Cafe in Los Angeles, and in 2016 performed for over 120K people at Red Bull Crashed Ice. Their debut record titled '2012' has received some noteworthy accolades including praise from Dan Wilson, the Semisonic frontman who has co-written songs for the Dixie Chicks, John Legend, Weezer, and most recently Adele's Someone Like You. In 2018 they were selected as an official SXSW artist out of a pool of over 8K applicants. NPR Music named them a top 100 artist to watch at SX out of 2K showcasing acts. They are currently on tour to promote their first full length album titled '2012.'
5 years ago Collapsing Stars frontman Justin Wayne Nelson quit his job, sold his very practical Honda Civic, bought a mini van and started touring the country with drummer Mike Langhoff. After 10 years of working a dead-end job, which Nelson refers to as his "lost decade," it was time for a change.
In the years that followed, he earned producer credits on the deM atlaS record DWNR for Rhymesayers Entertainment (Atmosphere, Brother Ali, Dem Atlas), performed with Mike at the renowned Hotel Cafe in Los Angeles, and in 2016 played for over 120K people at Red Bull Crashed Ice (in a fake fur coat while fireworks shot out of his guitar). His bluesy Americana group Collapsing Stars was selected as an official SXSW artist in 2018, and named a top 100 act to watch at SX by NPR Music.
In July of 2017 Nelson’s cell phone buzzed at 3am. He rolled over in bed, his eyes still half shut. There was a new message from Dan Wilson. “The record sounds really good, and I love the artwork too.” “I wasn’t sure if I was awake or still dreaming, said Nelson. One of the most highly sought after songwriters in the world said that he liked some music that I wrote, which is extremely high praise coming from such an authoritative source.” The list of Wilson’s song writing credits is extensive. In addition to co-writing Adele’s Someone Like You, Wilson has written songs for Taylor Swift, Weezer, John Legend, and The Dixie Chicks, just to name a few.
2012 Collapsing Stars’ debut record 2012 is the culmination of an artistic process that took roughly four years, a process that at times wasn’t always smooth. “For the first time in my life, I was experiencing some sort of creative block while trying to compose lyrics,” said Nelson. “I thought that in time it would pass, but after close to a year without any tangible progress on our record, I knew that I needed help.” Nelson decided to reach out to national recording artist Jeremy Messersmith. “Jeremy is extraordinarily accomplished in his own right, but what people might not know is that he’s a Dan Wilson disciple. So I was the beneficiary of the wisdom and experience of two incredible songwriters. He walked me through his creative process and showed me some word exercises that helped break me out of my artistic paralysis. And a lot of the methodology he was passing along to me was stuff that he learned from Dan when he produced Jeremy’s second record, The Silver City.”
Nelson wrote the first verse of the title track “2012” on December 20th, 2012. It was the eve of the highly publicized (and widely misinterpreted) “Mayan Apocalypse,” the end-date of a 5,126-year-long cycle in the Mayan calendar. “It seems like every year, some fanatical group is predicting the end of the world, and I approached this prediction with the same indifference as all the others. But it piqued my curiosity so I decided to write a song about it. The first half of the song is in keeping with the doomsday theme, and I wrote it on the night of the 20th. I woke up the next morning, still breathing. No fire and brimstone. No horsemen. Everything was fine. Here I was, left with half a song to write and I wasn’t exactly sure how to finish it. But the more I thought about it, the more I began to realize that everything isn’t fine. There was no cataclysmic event that brought the world to an end that day, but you can’t turn on the tv or pick up a newspaper without being reminded of the countless existential threats that humanity faces. And there’s a feeling of helplessness as you watch social, political, and environmental stability erode. These themes inspired the material for the rest of the song, along with several others forming the body of work called 2012.”
“My music career may have peaked last spring. I got to perform for 120K people in a fake fur coat while fireworks shot out of my guitar. How will I ever top that?" - Justin Wayne Nelson
"Collapsing Stars' languid folk songs are punctuated by forceful stabs of bluesy guitar — and, in the case of "The Storm," a few appropriate nature sounds. The effect can be whispery and beautiful, but the band's music maintains a welcome undercurrent of reflection, doubt and even dread." - Stephen Thompson, NPR Music
"Justin Wayne Nelson of Collapsing Stars was stuck in what he calls “artistic paralysis.” After going for over a year without writing any new lyrics, he reached out to local music everyman Jeremy Messersmith. Messersmith’s guidance was enough to uncork Nelson’s creativity, and the resulting record, 2012, was released on August 1. The title track to that record struggles with 2012’s much-ballyhooed “Mayan Apocalypse” and the anxiety it begat. In the video for the song, Nelson jousts with his impending doom as Biblical lithographs flash across the screen. Ultimately, he's undeterred and even empowered by surviving the prophesied end--and he emerges with a full songbook to share." - Jared Fagerberg, City Pages
"Quality, thoughtful musicianship is apparent on Collapsing Stars’ first album, “2012” released last year. Predominately understated folk with bluesy elements, the album does have some range. “The Storm” begins with a patient guitar solo leading into melancholy vocals. In a nice touch, you can hear the sound of rain and wind. The title song, “2012” is a bit ‘strummier,’ while “Kings & Queens” evokes the Low Anthem with its plaintive yet inviting melody. Because some of the songs are a bit delicate, an intimate church setting might seem like the best venue to hear this group. On other hand, “Deep in Your Eyes” is a genuine blues numbers and “Relapse” veers towards raucous, so a live show could have some kick, especially if they bring enough musicians to create a full band sound." - David Zlotnick, OEB
Embarked on 10 date west coast tour that included dates in Berkeley, CA, Oakland, CA, Half Moon Bay, CA, Santa Barbara, CA, Los Angeles, CA, San Marcos, CA, San Diego, CA, Flagstaff, AZ, and Vail, CO. (2013)
Art-A-Whirl 612 Brew Stage (2014)
Grandma's Marathon Duluth, MN (2014)
Andy Fest (2014)
Released Jamz (2014)
Rochester Oktoberfest (2014)
Producer credit on DWNR by deM atlaS (Rhymesayers Entertainment 2014)
Escape the Ice West Coast Tour (2014)
Album credit on Broken Headphones EP by Soundsmith the Programmer (Jivin Scientists, AZ) (2015)
Album credit on Siru Gatu single produced by DJ Adatrak (deM atlaS, Rhymesayers) (2015)
Performed with Mac Irv and Carnage the Executioner live in the iHeartRadio studios (2015)
3rd Annual Escape the Ice West Coast Tour (2015)
Performed for over 120K people at Red Bull Crashed Ice (2016)
Escape the Ice Tour (2016)
Escape the Ice Tour Part II (2017) NE, CO, AZ, CA, OR, MT
Released Full Length Record Titled '2012'
Title Track '2012' featured on 89.3 the Current
Press in City Pages, 89.3 the Current, Twin Cities Media
Capacity Crowd CD Release Show
The Fimentation Tour, CO (2017)
Shot Collapsing Stars Live From Left Hand Brewing Company
Shot Live Video for "King of Rome" at First Ave 7th St. Entry
Pacific Northwest Tour (2017)
Appeared in 60 Minutes Segment titled: Is Portland Still Portlandia?
Released second single and music video for "The Storm" featuring footage shot in Northern MN, 20 miles west of Bob Dylan's childhood home