Syeed DiJon Poole, known professionally as "The Doyénne", is an American singer, lyricist, songwriter and record producer based in Phoenix, Arizona. Originally from Flint, Michigan, his musical training began in the Southern Baptist church as a member of the choir before he began writing and producing his own music using the Fruity Loops software suite in 2006. While the sonic contributions from Prince, Janet Jackson, Britney Spears and Missy "Misdemeanor" Elliott would serve as a huge influence to Poole's sound, it would be his discovery of chiptune and plugins that were capable of emultating the 8-bit sound that would become his production trademark as seen in signature tracks such as "Party Girl" and "Ass Like Beyoncé". His 2011 debut long-play project, "Body of Work" , was a moderate local success and the sophomore effort "QUEEN" was met with positive critical reception. In 2016, Poole took time away from performing live and focused on recording music as well as completing studies in pursuit of an associate's degree in music business, a shift that led to six consecutive releases of music throughout that same year. The Doyénne now looks to continue making appearances through the foreseeable future in support of his latest compilation "W H I T E".
The Phoenix songwriter and performer known as The Doyénne proves once and for all that you don’t need some big dollar backing to make some compelling pop hits. “Strange Kind of Love” takes DIT to a whole new place, aurally and visually, while reminding us that love is an unconfined concept. Oh, and Travis James from Travis James and the Acrimonious Assembly of Arsonists makes a special cameo appearance in the music video. The Doyénne has a show at The Trunk Space later this month with Bitter Inc., PLASMIC, Aerico, and Todash Chimes so make sure to get that on your calendar
"Artists have long been the harbingers of shifts in human consciousness. They break down the illusory bonds of convention simply by being true to their own nature. The Doyenne is going to keep shimmying over those unneeded divisions in the sands of society until they are forever obscured and he’ll do it to a dance beat. Fuck yeah. So, if you’re harboring outdated modes of thinking, then it’s time to “Get comfortable with being uncomfortable,” (to quote Jillian Michaels with only a moderate amount of shame). The world is changing and it’s not going to wait for you to adapt. If you listen closely to W H I T E – L A B E L, you can hear the future of music plotting its path into the world."
-Carly Shorman, YabYum Music and Arts, November 3rd, 2016
Echo Magazine: "The Doyenne: Gender Non-Conforming Hip Hop Artist Brings Original Flavor to Local Music Scene"
"Moving forward, The Doyenne expects social issues to be a major influence on his music. “I’ve been slowly, but surely, putting together a debut album with the intent to get it out there and try and say some of the things that I’ve been wanting to say,” he said. “I don’t know if it’s going to be exactly saying this is what’s going on now, but there’s definitely going to be an energy about it. There’s a defiance now. I’m not angry, but I have to say something.” A driving force behind his music, he said, is the hope that he is giving a voice to those who, in many cases, don’t have one. And sharing glimpses of his personal story has allowed him to connected with audiences on a deeper level."
-Laura Latzko, Echo Magazine, September 15th, 2016
"The Doyenne fashions his personal brand of “Electroclash Hip Hop” with an extra layer of sass for everyone who likes a little swish with their swagger. “Pirate City” is a tune for all you Glamazons out there who like to start (or end) the day with a smooth flow. If you dig Phoenix’s own Doyenne, don’t hesitate to delve into the further reaches of his repertoire on Bandcamp here. The Queen I & II and Body of Work, two earlier full-lengths from the artist, are available for streaming and purchase."
-Lenore Lanova, YabYum Music & Arts, August 20th, 2014
"The proper name is Doyenne Eleganza Saint Goddess, but that is the only thing that is proper about the electroclash hip-hop artist. A self-described transvestite, Doyenne often performs wearing a mix of men's and women's clothing and sings many of his profane, sexual songs from the perspective of a woman. Doyenne does not yet have the full stage performance he wants with full lights and dancers. But the performer himself commands the attention of the audience with sexually charged lyrics, outlandish hairstyles and costumes, and an unabashed dance style. Doyenne is different and doesn't mind showing that to his audiences."