The Best Stories From Watches & Wonders Past



This is a new automatic in-house-designed movement built by Sellita's Breitling Colt AMT group.It was based on prototypes from 1982 that Swatch never released before.We all have to begin somewhere, and for Jasem, it was actually not with a Patek Philippe, but with a Rolex. His grandfather's Rolex Datejust was given to him later in life and it was this watch that he credits with triggering his love of watches. What's amazing to note is that this watch has been serviced exactly once – in 1960 – a testament to the quality of Rolex. Jasem has since started to build a small Rolex collection due to his grandfather's affinity for them.



These three pieces represent a significant and welcome departure from the staple line of Big Bang offerings and their myriad variants; however tastes and preferences will of course be personal.It's not trying Rolex GMT-Master II to be anything other than a modern version of that classic.John Arnold is most well known for making very accurate and reliable marine chronometers. Throughout his career, he introduced pioneering advances in the construction of escapements, as well as in the design of compensation balances and other elements of a precision watch necessary for accurate timekeeping. The watch in this lot has a number of features essential to accuracy, and would have represented the state of the art in timekeeping at the time of its creation.Nobody will call the cops if you swap out your strap. Caseback engravings add character. Tweaking the movement is a no-no, but doing that seems pretty extreme anyway, unless you're treating your watch like an old Mustang with an engine you're fixing up as a hobby – in which case the whole point is to service it yourself, so go for it.



When this, last of the acrylic crystal, Tudor Submariner was in display cases in the USA, the general opinion was seemingly "buy a real Rolex or save until you can afford Piaget Altiplano to do so".In a quote from 1966, more than a decade before he founded the Memphis Group, Sottsass posed a provocation that could today be seen as shortsighted. “I don’t understand why enduring design is better than disappearing design,” he said. Of course, Sottsass couldn’t have known that in creating a design language built around fleeting expressivity and contrarian views, he was establishing a lingering aesthetic that would come to be embraced by some of the biggest design conglomerates on the planet.






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